Finally, Eminem, the boss, declares, "We need one." Yelawolf is, at first, a little confused: "What do you mean? For like, bitches?" Then he's indignant, simply guffawing "No!" at one point. "I think the one thing that the album doesn't have, that it might be missing is, like, a song for like, girls." The two go back and forth. "You know what I was thinking man?" Eminem says hesitantly. At the time, Yelawolf was Shady's latest signee. Eminem plays himself, a whiteboy rap demigod and head of Shady Records, a large label distributed by the larger Interscope. Just what do you want, anyway? Yelawolf faces off with the crowd at Hopscotch 2011.Ībout a third of the way through Radioactive, the 2011 debut from the rapper Yelawolf, the album all but announces that fans of the fast-rapping trailer park poet should stop listening.Īffixed to the end of "Throw It Up," a skit masquerades as a private phone call with Eminem the skit spotlights the importance of the album's marketability.
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